Lively conversations with diverse voices
Screening & Panel
March 1, 2023
6:00 PM – 9:00 PM EST
CFMDC, 1411 Dufferin Street, Toronto, ON M6H 4C7Join us for a screening of “Life on the CAPS”, followed by a talk with Nehal El-Hadi.
Screening:
Life on the CAPS
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Country: Morocco
Director: Meriem Bennani
Length: 76 mins
Synopsis: Life on the CAPS is a trilogy of short film by Moroccan artist Meriem Bennani. Set in a supernatural, dystopian future, Life on the CAPS (short for “capsule”) features a fictional island in the middle of the Atlantic Ocean. In the world of the CAPS, teleportation has replaced air travel, and displaced populations utilize this mode of transportation to cross oceans and borders.
Panel:
Incorporating multi-media and digital techniques into diasporic narratives
This post-screening discussion will engage viewers in a theoretical and practical discussion of incorporating multi-media and digital techniques into diasporic narratives.
Speaker:
Nehal El-Hadi, Writer, Researcher, Editor
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Workshop
March 5, 2023
2:00 PM – 5:00 PM EST
LIFT, 1137 Dupont St, Toronto, ON M6H 2A3Workshop:
Projection Mapping Workshop
Join Ilze Briede [a.k.a. Kavi] for a Video Projection Mapping Workshop. Learn the basics of video projection mapping in this introductory workshop. With Resolume, you can manipulate and mix videos in real-time, create complex and dynamic compositions from scratch using built-in effects and, most importantly, how to map your video output on site-specific objects, also known as Video Projection Mapping
No previous experience with projection mapping is required.Facilitator:
Ilze Briede [a.k.a. Kavi]
Ilze Briede [a.k.a. Kavi] is a Latvian/Canadian artist and researcher working across multiple disciplines, including visual art, interactive installation and live performance. Her creative practice and academic research encompass working with live data sets and designing systems to turn data into visceral experiences. An example would be harnessing data from the forest about trees and the environment or the human body through bio-physiological sensing and translating them into immersive narratives. Kavi sees data as a living material that can express its essence and inner truth through creative, technological and artistic interventions. Sometimes, it looks too abstract for the human mind’s eye; however, she believes that the more we are exposed to weird and unusual, the more we stretch our cognitive abilities to embrace the world at large. She is currently pursuing a PhD degree in Computational Art at York University.
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Event Details
May 29, 2022
7:30 pm EDT
Paradise Theatre, 1006 Bloor Street West, Toronto, ON, M6H 1M2The screening is followed by a conversation with Dalal Bizri.
Screenings:
Elektra, My Love (Elektra, Ya Gharami)
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Country: Lebanon, Germany
Director: Hisham Bizri
Length: 89 mins
Synopsis: A kammerspiel-film set in the moody, cavernous ruin of the Piccadilly Theater, Beirut’s extravagant art palace destroyed after the Lebanese Civil War.
Speaker:
Dalal Al-Bizri, Lebanese researcher and writer
Dalal Al-Bizri, Lebanese researcher and writer. She specializes in contemporary Islamic movements and authored several studies on women’s issues. She served as lecturer in Political Sociology at the Lebanese University and spent ten years as researcher in Egypt.
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Event Details
May 29, 2022
12:00 pm EDT
Paradise Theatre, 1006 Bloor Street West, Toronto, ON, M6H 1M2
Join us for a screening of Canadian short films followed by a panel discussion around opportunities and challenges making films in Canada and beyond.Screenings:
Brown Bread & Apricots
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Country: Jordan, Canada
Director: Serene Husni
Length: 8 mins
Synopsis: In the absence of his parents, an unruly teenager is presented with a crucial test of character devised by his eldest sister. Instead of being punished for skipping school, he is entrusted with managing the family allowance for two weeks. To feed his siblings, he resorts to something he knew in his heart: in a Palestinian house, the pantry is never bare. Borrowing from classic elements of Palestinian storytelling—namely repetition, trickery, and an obsession with food—Brown Bread & Apricots is a story about a Palestinian family in exile.
Visions of Basra
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Country: Canada
Director: Noor Gatih
Length: 5 mins
Synopsis: Visions of Basra explores my mother’s fragmented memories of her homeland by exploring her photographs, colours and words. Each moving visual appears to be imperfect or out of focus the more detailed her recollections become.
Nur El Qulub//نورالقلوب
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Country: Canada
Director: Sawsan Alsaraf
Length: 8 mins
Synopsis: Nur Al Qulub is an exploration of the spiritual dimension of shadow and light. Drawing from the director’s experiences as the end-of-life support person for many near and dear people in her life, this project seeks to ask questions about spiritual truth, transitions, and the unknown. Dwelling on the threshold of spaces of darkness leading to the light, shadow work and discomfort, and the material and the spiritual, Nur Al Qulub references AlSaraf’s deepest realizations around the meaning of life – and death.
Don’t Forget The Water
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Country: Canada
Director: Christina Hajjar
Length: 5 mins
Synopsis: A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge.
Festina Lente
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Country: Canada
Director: Baya Medhaffar
Length: 21 mins
Synopsis: Combining two contradictory terms in a single phrase is called an oxymoron. Circumventing the obvious, shaking up the logic, proceeding in gusts, claiming the impossible, such is the method that Baya Medhaffar has chosen and, adopting an ancient motto, she makes it clear right from the title: “Make haste slowly”. There are several explanations for this speed proclaimed yet slowed all at once. Her film is mostly made of edited, assembled images from other films; thus, all the emergencies from other works reach a climax here, but as they overlap, they also call for their patient and detailed examination. The dishevelled editing is combined to a superimposition technique that makes scales collide, that associate separated figures and backgrounds, and that ties together in the same frame seemingly unrelated dynamics and lines of forces.
Panel:
Canadian Filmmakers Roundtable
Through this discussion, filmmakers will reflect on their creative journeys, opportunities and challenges making films in Canada and beyond.
Moderator:
Nashwa Lina Khan, Community Educator, Facilitator, and Researcher
Nashwa Lina Khan is a community educator, facilitator, and researcher. She is also a writer and poet and occasionally dabbles in installation and archive that uses narrative methodologies. She holds a Masters of Environmental Studies from York University with areas of concentration focused on narrative methodologies, community and public health, refugee, and forced migration studies and is currently a PhD student at York University in Environment and Urban Change. Her work has been published in a variety of places including Vice, Rewire, This Magazine, and The New York Times. She is the host and producer of two podcasts, Muslim Rumspringa and Habibti Please.
Speakers:
Sawsan Al Saraf, Filmmaker
Sawsan AlSaraf (Canadian, b. Iraq) is a visual and multimedia artist who lives and works in Montreal, Canada, AlSaraf has moved between the Middle East and North America since 1977. In her work, she draws her references from her life experiences as an expatriate Iraqi woman. She holds a BFA in Studio Arts rom Concordia University in Montreal, Canada and an MFA in Visual Arts from Vermont College of Fine Arts.
Noor Gatih, Filmmaker
Noor Gatih is an Iraqi filmmaker and photographer based in Toronto. Her practice explores gender and generational patterns within family archives, film, and photography, and her work has been exhibited at Collusion Books, Gallery 44, Wave Art Collective and Gallery 1265. Recently, she was selected for a 2021 mentorship opportunity at Made In Her Image (hosted by Panavision), an organization that provides training and resources for women of colour pursuing a career in film production.
Christina Hajjar, Filmmaker
Christina Hajjar is a Lebanese artist, writer, and cultural worker based in Winnipeg on Treaty 1 Territory. Her practice considers intergenerational inheritance, domesticity, and place through diaspora, body archives, and cultural iconography. As a queer femme and first-generation subject, she is invested in the poetics of process, translation, and collaborative labour. Her work involves photography, film, performance, installation, publishing, and curation.
Hajjar was a recipient of the 2020 PLATFORM Photography Award and received an honourable mention for the 2021 Emerging Digital Artists Award. Her film Don’t Forget the Water won the Jury Award and the Audience Choice Award for Best Manitoba Short Film at Gimli Film Festival. Hajjar curates the SWANA Film Festival, presenting South West Asian and North African short films from around the world.
Hajjar is a Managing Editor of Carnation Zine (publishing art and writing on diaspora and displacement) and qumra journal (publishing reflections on world cinema). She is senior editor of Herizons (Canada’s foremost feminist magazine). She is the creator of Diaspora Daughter, Diaspora Dyke zine, which won Best Artzine at the Broken Pencil Zine Awards. Her writing has appeared in BlackFlash Magazine, C Magazine, The Uniter, CV2, Prairie Fire, and PaperWait.
Serene Husni, Filmmaker
Serene Husni is a documentarian, mentor, and Arabic-English translator. She holds an MFA in Documentary Media awarded with distinction from the Toronto Metropolitan University, and her directorial debut, “Zinco” (2013) won the “Audience Award for Best Short Documentary” from the Franco-Arab Film Festival. Her short, “Brown Bread & Apricots” (2021) won the Qayqub Award for “Best Canadian Short Film” from the Toronto Arab Film Festival. She is a co-writer and co-editor of the feature documentary “Eulogy for The Dead Sea” (2022), directed by Polina Teif, which traces the environmental impacts of settler colonialism on the disappearing body of water and the communities that live around it. She is currently in post production on her first feature documentary, a city symphony in four movements, titled “Jenin & the Colony”.
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Event Details
May 28, 2022
7:30 pm EDT
Innis Town Hall Theatre, 2 Sussex Avenue, Toronto, ON M5S 1J5
Join us for a screening of “You Resemble Me” followed by a panel on “The Language of Belonging” where Jasmin Zine and Amir Al-Azraki will join Nehal El-Hadi in a moderated discussion exploring Islamophobia, radicalization, and barriers to belonging for Muslim youth in disapora.Screening:
You Resemble Me
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Country: France, Egypt, United States
Director: Dina Amer
Length: 90 mins
Synopsis: When the bond is broken between two sisters, a little girl transforms into someone new in the name of belonging and resistance. Director Dina Amer takes one of the darkest tales of our time, the story of Muslim terror in the West, and deconstructs it in a story about family, love, sisterhood, and fractured identity.
Panel:
The Language of Belonging
Moderator:
Nehal El-Hadi, Science + Technology Editor, The Conversation Canada
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Speakers:
Jasmin Zine, Professor of Sociology and Religion & Culture at Wilfrid Laurier University
Jasmin Zine is a Professor of Sociology and Religion & Culture at Wilfrid Laurier University. She served as a consultant on combating Islamophobia for the United Nations Educational, Scientific and Cultural Organization (UNESCO), the Council of Europe (COE), and the Office for the Democratic Institutions and Human Rights at the Organization for Security and Cooperation in Europe (ODHIR/OSCE). Her recent book: Under Siege: Islamophobia and the 9/11 Generation (2022, McGill -Queens University Press) explores the experiences of the millennial generation of Canadian Muslim youth who came of age during the global war on terror and times of heightened anti-Muslim racism. She is author of a major report on the Canadian Islamophobia industry that examines the networks of hate and bigotry that purvey and monetize Islamophobia. She is a sought-after media commentator and has given numerous invited talks and keynotes in Istanbul, Paris, Vienna, Budapest, Berlin, Madrid, Cordoba, Nairobi, Uppsala, as well as in Pakistan and across the U.S.
Amir Al-Azraki, playwright, literary translator, Assistant Professor at University of Waterloo
Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Assistant Professor and Coordinator of Studies in Islamic and Arab Cultures Program, at Renison University College, University of Waterloo. Among his plays are: Waiting for Gilgamesh: Scenes from Iraq, The Mug, and The Widow. Al-Azraki is the author of The Discourse of War in Contemporary Theatre (in Arabic), co-editor and co-translator of Contemporary Plays from Iraq, “A Rehearsal for Revolution”: An Approach to Theatre of the Oppressed (in Arabic), and co-editor and co-translator of Arabic poetry by female poets in Consequence, The Common, Poetry Foundation and Talking Writing. He is currently translating Representations of the Other: The Image of Black People in the Medieval Arab Imaginary by a Bahraini critic Nader Kadhim.
Co-presented with Provocation Ideas Festival
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Event Details
May 27, 2022
12:00 pm EDT
VirtualWatch
Arab filmmakers have always faced a multitude of challenges in producing their films. These challenges have only intensified with the advent of the Covid-19 pandemic and the escalation of conflict and crisis in the Arab region. Despite these challenges, the Arab film scene continues to grow and diversify with more and more filmmakers emerging with innovative works and even gaining international recognition.
This apparent contradiction is especially glaring in Lebanon — a country that is currently enduring one of the worst socioeconomic crises the world has seen since the mid-nineteenth century. Despite
that, Lebanon is still among the top nations in the region to produce acclaimed feature and short films. How do we account for this seeming inconsistency and what can we learn from it?During this panel, three Lebanese filmmakers will share their experiences of making feature films while enduring and witnessing the complete collapse of their country. How are the struggles that face these filmmakers reflected in the films themselves? More generally, how can a recognition of the realities that film production is grounded in nuance and reshape the understanding of the films we consume?
Moderator:
Zeina Tarraf, Assistant Professor, Media Studies, American University of Beirut
Zeina Tarraf is an assistant professor of media studies at the American University of Beirut where she teaches courses on Arab media and society, war and media, and visual culture. Her
current book project examines how public feelings are produced and circulated in Lebanon during moments of protracted national crisis. She is also working on a new book project that considers how film industries in the Arab world are positioned within transnational circuits of financing, production, and circulation.
Speakers:
Mounia Akl, Filmmaker
Mounia Akl is a director and writer from Lebanon living between Beirut and New York. She holds a bachelor’s degree in Architecture from ALBA and an MFA in Directing from Columbia University and is a member of the Academy of Motion Picture Arts and Sciences®. Her first feature film, Costa Brava Lebanon (Sundance Labs, Cannes Residency), premiered in 2021 at the Venice Film Festival, Toronto International Film Festival (Netpac Award) and BFI London Film Festival (Audience Award) amongst others. It was inspired by her short film Submarine (Official selection at the 69th Cannes Film Festival, TIFF 2016). Apart from directing, Mounia has also taught a lab in Directing at Columbia University, New York, and directing at the NHSI film summer institute at Northwestern University, Chicago. Mounia is currently developing new projects (TV and Film) between Paris, Beirut and LA where she also was recently a Ted Talk Women speaker.
Roy Arida, Filmmaker
Roy Arida is a director and producer. Born in Beirut, Roy studied cinema at la Fémis, Paris, in the directing department. Since he graduated, he has been pursuing his work as a director still in between France and Lebanon, with an equal interest for fiction and documentary In 2012, Roy founded STANK, a production house based in Paris. Roy has two films in this year’s Festival – Under the Concrete, which he directed; and Khamsin, which he produced.
Elie Khalifé, Filmmaker
Elie Khalifé is a Lebanese director, screenwriter and producer whose career spans over two decades and multiple award-winning projects. Elie studied film at the Geneva University of Art and Design (ESAV-HEAD). Lebanon is both the backdrop and inspiration to his work.
Elie’s body of work is primarily based on his own material and showcases his comedic streak with award-winning shorts like “Taxi Service” (1996), “Merci Natex” (1998) and his first feature “Yanoosak” (2010). Elie also directed “Single Married Divorced” (2015), a highly popular comedy. “State of Agitation” (2020) is his third feature film and the first in which he acts.
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Watch
Moderator:
Rolla Tahir, Filmmaker, TAF Co-founder & Artistic Director
Rolla Tahir is a filmmaker and director of photography based in Toronto. She’s lensed short, narrative and experimental films, which screened across Canada and internationally, including the UK, Germany, and the United States. Obsessed with the durability, longevity and spontaneity of the analog film medium, Rolla has worked with Super 8, 16mm and 35mm to explore the analog process and its possibilities.
Speakers:
Desirée Custers, Arabic literature translator and Researcher
Desirée Custers is a writer, researcher, and translator of Arabic literature. Her translations from Arabic to Dutch have appeared in poetry magazines and cultural platforms in Belgium, and in 2019 she translated the novel Brusselse Vrouwen (‘Women of Brussels’) by the Palestinian author Nisma Alaklouk. For her masters’ degree in Arabic and Islamic Studies, Desiree submitted a thesis on Arabic science fiction with the title Arabic science fiction as vehicle for criticism, in which she focused on the novel Harb al-Kalb al-Thaniyyah (‘Dog War II’, 2018) by Palestinian/Jordanian author Ibrahim Nasrallah. The thesis was short-listed for the Flemish thesis prize in 2019. Desiree writes about Arab sci-fi and literary and cultural topics on her bi-lingual Arabic/English blog, issabramil.com. She also holds an M.A. in Conflict Studies and Human Rights from Utrecht University, the Netherlands.
Nehal El-Hadi, Writer, Researcher, Editor
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Ayham Jabr, Filmmaker, Editor, Graphic Designer
Ayham Jabr is a Surreal Collage Artist, a Video Editor, a Videographer and a Graphic Designer. He studied Electronics at Damascus University, and lives in Damascus, Syria. His love for science fiction films, stories, and theories are a main source of inspiration behind his primarily digital art works.
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Event Details
May 30, 2021
12:00 pm EDT
VirtualWatch
Filmmaker Roundtable with: Malas Twins (One of Us Left the Photo), Suzannah Mirghani (Al-Sit), Sara Mesfer (The Girls Who Burned the Night)
Moderator:
Hiba Sleiman
Hiba Sleiman is a Montreal-based artist and drama therapist. She is an actor and a writer for stage and screen and started her psychotherapy practice in 2023. Hiba’s curiosity for human behaviour has informed her creative work as her writing contemplates themes of identity, belonging, and politics of the self and the other. Hiba has worked with acclaimed filmmakers and stage directors in Lebanon, Canada, and the States. She recently developed the script for the upcoming music concert of the Canadian Arabic Orchestra. She is currently developing an
immersive piece taking place “off stage” and working on producing her second independent short film.
Speakers:
Sara Mesfer (The Girls Who Burned the Night)
Sara Mesfer is a Saudi Director based in Jeddah, Saudi Arabia. She holds a bachelor degree in Cinematic Art from Effat University, Saudi Arabia.
She started her journey working in different roles in films that participated in local and international film festivals. In 2018 she wrote and directed her first short film “Balcony”. In 2019 she Wrote and Produced “Quareer Chapter Three” A short film that is part of a Collective Feature Film that highlights five different stages of a woman’s life in Saudi Arabia.
Sara Wrote and Directed her short “The Girls who Burned The Night” Which got the Jury Special Mention award in Cairo international Film festival in its 42nd edition. Sara’s latest is her participation as a Writer and Director of “Al Dabah” in “Becoming” Omnibus Feature with four female directors by the support of Red Sea international film Festival in 2020.
Suzannah Mirghani (Al-Sit)
Suzannah Mirghani is a writer, researcher, and media studies/museum studies graduate. Sudanese-Russian, she is interested in stories about the complexity of identity. Suzannah is the writer, director, and producer of AL-SIT (2020, Sudan/Qatar), screening on Netflix Middle East, and winner of the Canal+ Award at Clermont-Ferrand Short Film Festival in 2021 as well as 6 Academy Award qualifying prizes at Tampere Film Festival; LA Shorts; BronzeLens; New Orleans Film Festival; AFI Fest; and Interfilm Berlin. Her latest short is the experimental documentary/social media satire VIRTUAL VOICE (2021), which premiered at Tribeca Film Festival. Suzannah is working on her first feature COTTON QUEEN, which won the ArteKino Award at L’Atelier de la Cinefondation at the Cannes Film Festival in 2022.
Malas Twins (One of Us Left the Photo)
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Event Details
May 29, 2021
12:00 pm EDT
VirtualWatch
Filmmaker Roundtable with: Maha Al Saati (Fear: Audibly), Amine Koudhai (And The Night Will Carry Us), Rand Abou Fakher (So We Live)
Moderator:
Zeinah Kalati, Programmer
Speakers:
Maha Al Saati (Fear: Audibly)
Maha Al-Saati is an independent, experimental filmmaker interested in exploring women’s stories in the Arab World. She is TIFF Filmmaker Lab 2020 and TIFF Writers’ Studio 2021 Alum, and honorary recipient of the Share Her Journey Award and The Hollywood Foreign Press Association (HFPA) residency 2021. Her short films include Hair: The Story of Grass (18), an official selection of Fantastic Fest 2018, Slamdance 2019, and HollyShorts 2019; Cycle of Apples (19); and Fear: Audibly (17). Her feature project Hajj to Disney was selected for development by the Red Sea Lodge in partnership with TorinoFilmLab.
Amine Khoudhai (And The Night Will Carry Us)
Rand Abou Fakher (So We Live)
Rand Abou-Fakher studied as a flutist in the Syrian Conservatory, broadening her practice in Brussels to audiovisual arts. Today, she works as a director, theatre actor, (art) project manager and programmer. Her short films Braided Love (2018) and So We Live (2020) have been shown at festivals and museums worldwide. In the process, So We Live won an Oscar Qualifying Award.
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Event Details
May 28, 2021
7:00 pm EDT
VirtualWatch
Filmmaker Roundtable with: Halima Ouardiri (Clebs), Omar Elhamy (Foam), Yza Nouiga (Jardins Paradise) and Sara Trad (Clench My Fists)
Moderator:
Karam Masri, Filmmaker
Karam Masri is a Program Consultant for Film & Television at Ontario Creates, the provincial agency that supports the economic development of Ontario’s cultural sectors. Prior to joining Ontario Creates, Karam was the Business Analyst at the Bell Fund, a private fund that supports the creation and development of Canadian digital/TV multi-platform projects. Karam holds two Master’s degrees: an MFA in Film Production and an MBA from the Schulich School of Business. She also wrote & directed the short film “Juha the Whale”, winner of the York Thesis prize.
Speakers:
Omar Elhamy (Foam)
Omar Elhamy was born and raised in Egypt. Established in Quebec, Canada for a few years now, he is a director, writer and editor. His films have been acclaimed in several festivals and art galleries. He directed Tartarus (2019), Paria (2015). In 2018-2019 he presented Five seasons behind the sun his first expanded cinema works at the Dazibao Gallery in Montreal. Foam (2020), his latest short film, is part of the International Short film Competition at the 70th Berlinale. He is currently working on his first feature film, Frère Raison.
Yza Nouiga (Jardin Paradise)
Yza Nouiga is a French Moroccan director, and digital film distributor based in Montreal. Born and raised in Morocco, she’s been living in Canada for the last 10 years. Her work evolves around themes of identities, dual nationality, and homecoming through fiction and non-fiction narratives. She co-wrote a first feature-length documentary film, Circo, that received the supports of many Canadian arts councils and institutions (SODEC, CALQ). Her last work, Jardins Paradise, was selected by the Goethe-Institut as part of a special programming. Yza is currently working on two shorts films.
Sara Trad (Clench My Fists)
Sarah Trad (she/her) is a Lebanese-American artist and curator based in Philadelphia. She is currently the Co-Director of Programming for the MENA Film Festival in Vancouver, as well as a Juror for the Philadelphia Asian American Film Festival and a member of the Community Advisory Board for the Asian Arts Initiative. Trad is the recipient of the 2019 Rutland Vermont Art Center 77Art Artist Residency, the 2019 Plyspace Residency and Fellowship, and 2011 Carol N. Schmuckler Award for Outstanding Achievement in Film. Sarah’s work has been screened at the Gimli Film Festival, Toronto Arab Film Festival, Antimatter Media Art Festival, Rendezvous With Madness Festival, Everson Museum of Art, and Currents New Media.
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Host:
Guest:
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Moderator:
Rolla Tahir, Filmmaker, TAF Co-founder & Artistic Director
Rolla Tahir is a filmmaker and director of photography based in Toronto. She’s lensed short, narrative and experimental films, which screened across Canada and internationally, including the UK, Germany, and the United States. Obsessed with the durability, longevity and spontaneity of the analog film medium, Rolla has worked with Super 8, 16mm and 35mm to explore the analog process and its possibilities.
Speakers:
Karam Masri, Filmmaker
Karam Masri is a Program Consultant for Film & Television at Ontario Creates, the provincial agency that supports the economic development of Ontario’s cultural sectors. Prior to joining Ontario Creates, Karam was the Business Analyst at the Bell Fund, a private fund that supports the creation and development of Canadian digital/TV multi-platform projects. Karam holds two Master’s degrees: an MFA in Film Production and an MBA from the Schulich School of Business. She also wrote & directed the short film “Juha the Whale”, winner of the York Thesis prize.
Ahmed Magdy, Filmmaker, Actor
Ahmed Magdy is a multi-talented filmmaker, actor, environmentalist, animal rights activist and a UNFPA champion who boasts an impressive repertoire in the industry. As an actor, Magdy took part in a number of highly-acclaimed films like the award-winning “Microphone” (2010), “The Gate of Departure” (2015), “Mawlana” (2016) and the award-winning “Ali, the Goat and Ibrahim” (2016) for which Magdy won the Best Actor award at the 6th Trophées Francophones du Cinéma in Sénégal among many other memorable films and TV series.
Following many successful directorial efforts, in 2018, Magdy made his feature film directorial debut “The Giraffe”, which is written and filmed by him as well. The film made its world premiered at the 40th Cairo International Film Festival and its international premiere at the Marrakech International Film Festival receiving wide critical acclaim. Recently, Ahmed took part in the TV Series El Anesa Farah, which is an adaptation of the well-known American romantic comedy Jane The Virgin. His latest TV drama, “Forsa Tanya” (A Second Chance), aired in Ramadan 2020. Produced by Synergy/Tamer Morsi, Magdy stars opposite of Egyptian star Yasmine Sabry. The TV drama was a huge success and received wide acclaim among audiences and critics alike. He was also announced as a jury member at the RFF-Revart Film Festival. Hailed as Egypt’s first online vertical festival, RFF aims to introduce a modern dimension of creativity to filmmakers during the COVID-19 crisis.
In addition, as a director and screenwriter, Magdy started working on his second feature film, The Crow, and is starring in the upcoming films “Talaat Harb” and “Hazr Tagawol” (Curfew).
Dina Emam, Film Producer
Named one of Variety’s 10 Producers to Watch in 2018, Dina Emam is an Egyptian-American film producer and educator working between New York and Cairo. Her first feature, Yomeddine, had its world premiere at the 2018 Cannes Film Festival in the Main Competition, and was Egypt’s submission for the 91st Academy Award for Best Foreign Language Film.
In addition to producing, she teaches filmmaking/producing workshops and masterclasses for aspiring filmmakers in the MENA region. Prior to becoming a film producer, Emam worked in television market research and production management at MTV Networks in New York City.
Emam holds a BS from New York University’s Stern School of Business in Marketing and International Business and an MFA in Creative Producing from Columbia University’s School of the Arts. She has previously served as an AmeriCorps volunteer.
Darine Hotait, Film Director
Darine Hotait is an Arab American writer, film director, and the founder of Cinephilia Productions— a New York-based film incubator championing African and Middle Eastern filmmakers. Darine has written and directed a dozen award-winning short films that can be seen on SundanceTV, AMC Networks, BBC Channel, ShortsTV, and at over a hundred international film festivals. She is the recipient of the prestigious New York Council on the Arts Artist Award, the New York Foundation for the Arts Fellowship, the AFAC Cinema Grant, a Goethe Award, and an EMMY Blu Ribbon nomination. Her work has received the support of institutions like The Independent Film Project, Cannes Scriptwriters’ Pavilion, and The Sundance Institute. Darine is a published author of science fiction short stories and stage plays. Her literary work has appeared in several publications in print and online. www.darinehotait.com
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Event Details
July 25, 2020
7:00 pm EDT
VirtualJoin us for our second Shorts Programme followed by a Panel Discussion on titled “Defying Politics, Towards Pan-Arabism in Cinema: The Role of Transnational Cinemas and Film Festivals in Creating a New Arab Cinema” featuring speakers Walid El-Kachab, Christina Piovesan and Viviane Saglier, moderated by Karam Masri.
Screenings:
Towards the Sun//نحو الشمس
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Country: Canada, Lebanon
Director: Nour Ouayda
Length: 17 mins
Synopsis: You are now in the main hall of the National Museum in Beirut. A guard reminds you that you are encouraged to touch the archeological objects. A voice in your headset suggests that you lick the stone. You are now facing a hole in the wall on the lower left corner of a mosaic. The voice in your headset indicates that it was made by a sniper. Out of curiosity, you dial 1-9-9-1 to listen to the rest of the story.
In the Middle//في المنتصف
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Country: Yemen, Qatar, Russia
Director: Mariam Al Dhubhani
Length: 14 mins
Synopsis: In a rarely seen perspective of war, we follow Ali—a Yemeni soldier on tour in the temporary capital of Aden. Leaving his hopes, dreams, and education behind to join the military, Ali dutifully sits at his checkpoint, performing a mundane task that he is clearly overqualified to do. His story represents the majority of youth in the country, people who are unable to just ‘live’, but instead are forced to continually struggle to survive.
Four Acts for Syria//أربع فصول من أجل سوريا
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Country: Syria, Germany
Director: Waref Abo Qaba
Length: 14 mins
Synopsis: Syrian history has been multicultural for centuries. This film is a voyage through Syrian culture until today’s insanity. It is a message of peace and hope for the Syrian people.
The Return of Osiris//عودة اوزيريس
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Country: Palestine
Director: Essa Grayeb
Length: 14 mins
Synopsis: On June 9, 1967, Egyptian President at the time, Gamal Abdel Nasser appeared on television and radio to inform the Egyptian citizens of their country’s defeat. During the speech, he also announced his resignation. For many, Nasser’s speech was the first hint at the full scope of loss and disillusionment with the pan-Arab vision he led. The film weaves together dozens of scenes that feature the speech from Egyptian films and television series produced between 1972-2016. The found footage excerpts were edited to reconstruct Nasser’s speech of resignation according to the original text.
Compressed//مضغوط
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Country: Syria, France
Director: Ali Dawwa
Length: 8 mins
Synopsis: Compressed highlights the work of Khaled Dawwa, a Syrian artist, who was in one of the Syrian regime’s prisons. He met many young people in the prison, their only guilt and the great crime was that they had dreamed of, and asked for a better future. Released from prison, Khaled, now lives in France. He considers himself a hope for all those who are still in prison and expresses their voice and suffering through his sculptures. For Khaled, love and revolution are inseparable.
I Have Seen Nothing,I Have Seen All//لم أرى شيئا, رأيت كل شيء
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Country: Syria, Sweden
Director: Yasser Kassab
Length: 20 mins
Synopsis: After talking about the end of the war in Syria and the start of the reconstruction phase, Yaser and his family find themselves compelled to deal with the transfer of graves from public parks in Aleppo. Thousands of kilometers separate Yaser from his parents in Aleppo. With what these two places carry of contradiction is reflecting the way they both deal with what happened.
Panel:
Defying Politics, Towards Pan-Arabism in Cinema: The Role of Transnational Cinemas and Film Festivals in Creating a New Arab Cinema
Moderator:
Karam Masri, Filmmaker
Karam Masri is a Program Consultant for Film & Television at Ontario Creates, the provincial agency that supports the economic development of Ontario’s cultural sectors. Prior to joining Ontario Creates, Karam was the Business Analyst at the Bell Fund, a private fund that supports the creation and development of Canadian digital/TV multi-platform projects. Karam holds two Master’s degrees: an MFA in Film Production and an MBA from the Schulich School of Business. She also wrote & directed the short film “Juha the Whale”, winner of the York Thesis prize.
Speakers:
Christina Piovesan, Producer & President of First Generation Films
Christina Piovesan is the founder and principal of First Generation Films, a film and tv production company based in Toronto. Past films include the Cannes Winner Amreeka directed by Cherien Dabis; The Whistleblower directed by Larysa Kondracki, Mouthpiece directed by Patricia Rozema, Paper Year, written and directed by Rebecca Addelman and American Woman directed by Semi Chellas which had its Canadian premiere as a Gala Presentation at TIFF 2019. Her collaboration with Elevation Productions, the production arm of Elevation Pictures, has Christina in post-production on The Exchange directed by Dan Mazer and French Exit directed by Azazel Jacobs. Most recently, Christina was producer on The Nest directed by Sean Durkin which had its premiere at the 2020 Sundance Film Festival
Dr. Walid El Kachab, Associate Professor, Arabic Studies, York University
Walid El Khachab has published in Cairo four poetry collections in Arabic: The Dead do not consume (Al Mawta La Yastahlekoon, 2001); She who is (Allati, 2013); Sudden Moon (Qamar Mofajei’, 2015), I’timad’s Booth (Koshk I’timad, 2019). In 2022, his monograph about legendary Arab comedian Fuad al-Mohandes The Arachitect of Joy (Mohandes al Bahga) was released at Dar al Maraya publishing house, Cairo. He also translated into Arabic Canadian poet’s Mon Latif Ghattas collection, Les Chants du Karawan, and Canadian poetry theorist Paul Zumthor’s Introduction à la poésie orale. He teaches Arabic Studies at York University
Dr. Viviane Saglier, Post Doctoral Fellow, Department of Anthropology and Institute for the Study of International Development (ISID), McGill University
Viviane Saglier is a UTSC postdoctoral fellow in the Department of English at the University of Toronto. Prior to that, she was an Andrew W. Mellon postdoctoral fellow in the Anthropology Department at McGill University. She received her PhD in Film and Moving Image Studies from Concordia University. She is currently working on two projects: a first book on Palestinian film infrastructures, and a second book on histories of Arab cinema, gender, and decolonization. Her writings on Arab cinema, postcolonial theory, media economies, and transnational solidarity have appeared in several peer-reviewed journals and edited collections. Outside of the university, she curates collective programs of Arab cinema and political documentaries as well as video art exhibitions.
She started the Works-in-Progress (WIP) series and co-led the Political Imaginaries of Waiting working group.
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Co-presented by:
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Event Details
July 24, 2020
7:00 PM EDT
VirtualJoin us for a screening of “Talking About Trees” followed by a Panel Discussion titled “Film is Dead, Long Live Film: Reviving the Arts in Sudan” featuring speakers Nehal El-Hadi, Mr. Mohamed Wahbi and Mazin Osman, moderated by Iman Abbaro.
Screening:
Talking About Trees//الحديث عن الأشجار
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Country: Sudan, France, Chad, Germany, Qatar
Director: Suhaib Gasmelbari
Length: 94 mins
Synopsis: Four older Sudanese filmmakers with passion for film battle to bring cinema-going back to Sudan, not without resistance. Their ‘Sudanese Film Club’ have decided to revive an old cinema, and again draw attention to Sudanese film history. The film intermittently weaves in clips from their films, many which were lost or banned due to their political leanings.
Panel:
Film is Dead, Long Live Film: Reviving the Arts in Sudan
Watch
After having witnessed the history of cinema in Sudan in TALKING ABOUT TREES, motivated by the unwavering determination of these four filmmakers, this panel looks forward to examine the role of film and arts in the rebuilding of Sudan. Film in particular holds significant power in fostering community while promoting dialogue. TALKING ABOUT TREES makes us intently aware of lost potential and dreams marred and suppressed by politics and religious extremism and ultimately urges us to reconsider the importance of arts in shaping narratives about Sudan.
Moderator: Iman Abbaro
Speakers:
Nehal El-Hadi, Writer, Researcher, Editor
Nehal El-Hadi investigates the relationships between the body (racialised, gendered), place (urban, virtual), and technology (internet, health).
She completed a Ph.D. in Planning at the University of Toronto, where her research examined the relationships between user-generated content and everyday public urban life.
As a scholar, her hybrid digital/material research methods are informed by her training and experience as a science and environmental journalist.
Nehal advocates for the responsible, accountable, and ethical treatment of user-generated content in the fields of journalism, planning, and healthcare.
Her writing has appeared in academic journals, general scholarship publications, literary magazines, and several anthologies and edited collections.
Nehal is the Science+Technology Editor at The Conversation Canada, an academic news site, and Editor-in-Chief of Studio Magazine, a biannual print publication dedicated to contemporary Canadian craft and design. She currently holds a residency at Toronto’s Theatre Centre, where she is developing a live arts event that explores surveillance, privacy, and consent.
Nehal sits on the Board of Directors of FiXT POINT Arts & Media and Provocation Ideas Festival. She is a member of the Digital Communities Advisory Panel at the Centre for Free Expression. She was previously a Visiting Scholar at the City Institute at York University.
Mr. Mohamed Wahbi
Mazin Osman, Cultural Curator
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