Shot on location in Claude Monet’s garden in Giverny, France, Gary’s film examines the precarious nature of Black women’s bodily integrity, the ethics of care as resistance work, and how class position shapes the contours of violence. Set against the backdrop of the West’s continued global imperialist campaigns and its historical artistic canon, this experimental video features a mélange of HD video, archival footage, and analog animation to assert an oppositional gaze in the re-telling of modern history.

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