BIOS//سير

  • Roy Arida

    Roy Arida

    Roy Arida is a director and producer. Born in Beirut, Roy studied cinema at la Fémis, Paris, in the directing department. Since he graduated, he has been pursuing his work as a director still in between France and Lebanon, with an equal interest for fiction and documentary In 2012, Roy founded STANK, a production house based in Paris. Roy has two films in this year’s Festival – Under the Concrete, which he directed; and Khamsin, which he produced.

  • Rua Wani

    Rua Wani

    Rua Wani is a producer and co-founder of Adani Pictures, a Toronto-based media production company. Adani’s mandate is to back storytellers and projects that provoke curiosity and engagement, centred in a belief that everyone’s story deserves to be seen. Adani’s slate of projects has won development financing from the Canada Media Fund, Ontario Creates, and the Bell Fund, and the company has been selected to the International Co-Production Market at EFM, the Canadian Creative Accelerator for Women in Film in New York and LA, the Canada-France Co-Production Lab at Series Mania, and CFC’s Fifth Wave Labs. Previously, Rua was a scripted TV development and production exec at Boat Rocker Media, where she worked on celebrated primetime dramas and comedies, including the Emmy-winning Orphan Black (BBC America, CTV Sci-Fi Channel). Rua is an alumnus of producer labs at Series Mania, EAVE, Reelworld, and BANFF Spark. She is also a film festival juror, speaker, and film and TV professor at Sheridan and George Brown Colleges. As a Kashmiri who has lived in Saudi Arabia, Bahrain, Indonesia, Canada, and the UK, Rua’s love of storytelling is rooted in discovering diverse realities.

  • Sadiya Ansari

    Sadiya Ansari

    Sadiya Ansari is an award-winning journalist based in London.

    Her work — including essaysfeaturesQ&As and books reviews — has appeared in the Guardian, VICE, Refinery29, the Globe and Mail, Maclean’s, Reader’s Digest and more.

    She has worked as a Professor of Journalism at Centennial College, managing editor of features at Global News, staff editor at Chatelaine and has reported for the Toronto Star, produced TV for CBC News, edited opinion for HuffPost Canada, and covered arts for the Canadian Press.

    She is co-founder of the Canadian Journalists of Colour, a 2021 R. James Travers Foreign Corresponding Fellow, and a 2023–24 Asper Visiting Professor at the University of British Columbia. She has served as a judge for the Digital Publishing Awards and the Amnesty International Canada Media Awards.

    Her work has also been supported by the International Center for Journalists, Journalismfund Europe, Canada Council for the Arts, Ontario Arts Council and Toronto Arts Council. She holds a Masters of Public Administration from Queen’s University and a Masters of Journalism from the University of British Columbia.

  • Safia Abdigir

    Safia Abdigir

    Safia Abdigir is a Toronto-based arts culture worker specifically interested in the facilitation of diverse perspectives in the Canadian film/visual arts industry. Currently, she’s the Industry Programming Manager at the Reelworld Screen Institute, where she manages the programming of the film festival and runs the year long Producer Programs.

  • Saoussane Boutarta

    Saoussane Boutarta

    Saoussane Boutarta is a Moroccan-Canadian journalist and communications expert based in Canada, holding a BA in Psychology. With over a decade of experience in journalism and content creation, she has a deep passion for storytelling and a keen eye for engaging narratives. She is particularly passionate about immigration and immigrant stories, continuously working as a reporter to highlight these voices. Saoussane is dedicated to exploring and sharing diverse narratives, bringing a unique perspective to every story she tells.

  • Sara Mesfer

    Sara Mesfer

    Sara Mesfer is a Saudi Director based in Jeddah, Saudi Arabia. She holds a bachelor degree in Cinematic Art from Effat University, Saudi Arabia.

    She started her journey working in different roles in films that participated in local and international film festivals. In 2018 she wrote and directed her first short film “Balcony”. In 2019 she Wrote and Produced “Quareer Chapter Three” A short film that is part of a Collective Feature Film that highlights five different stages of a woman’s life in Saudi Arabia.

    Sara Wrote and Directed her short “The Girls who Burned The Night” Which got the Jury Special Mention award in Cairo international Film festival in its 42nd edition. Sara’s latest is her participation as a Writer and Director of “Al Dabah” in “Becoming” Omnibus Feature with four female directors by the support of Red Sea international film Festival in 2020.

  • Sarah Trad

    Sarah Trad

    Sarah Trad (she/her) is a Lebanese-American artist and curator based in Philadelphia. She is currently the Co-Director of Programming for the MENA Film Festival in Vancouver, as well as a Juror for the Philadelphia Asian American Film Festival and a member of the Community Advisory Board for the Asian Arts Initiative. Trad is the recipient of the 2019 Rutland Vermont Art Center 77Art Artist Residency, the 2019 Plyspace Residency and Fellowship, and 2011 Carol N. Schmuckler Award for Outstanding Achievement in Film. Sarah’s work has been screened at the Gimli Film Festival, Toronto Arab Film Festival, Antimatter Media Art Festival, Rendezvous With Madness Festival, Everson Museum of Art, and Currents New Media.

  • Sawsan AlSaraf

    Sawsan AlSaraf

    Sawsan AlSaraf (Canadian, b. Iraq) is a visual and multimedia artist who lives and works in Montreal, Canada, AlSaraf has moved between the Middle East and North America since 1977.  In her work, she draws her references from her life experiences as an expatriate Iraqi woman. She holds a BFA in Studio Arts rom Concordia University in Montreal, Canada and an MFA in Visual Arts from Vermont College of Fine Arts.

  • Serene Husni

    Serene Husni

    Serene Husni is a documentarian, mentor, and Arabic-English translator. She holds an MFA in Documentary Media awarded with distinction from the Toronto Metropolitan University, and her directorial debut, “Zinco” (2013) won the “Audience Award for Best Short Documentary” from the Franco-Arab Film Festival. Her short, “Brown Bread & Apricots” (2021) won the Qayqub Award for “Best Canadian Short Film” from the Toronto Arab Film Festival. She is a co-writer and co-editor of the feature documentary “Eulogy for The Dead Sea” (2022), directed by Polina Teif, which traces the environmental impacts of settler colonialism on the disappearing body of water and the communities that live around it. She is currently in post production on her first feature documentary, a city symphony in four movements, titled “Jenin & the Colony”.

  • Shant Joshi

    Shant Joshi

    Shant Joshi is an award-winning producer and president of Fae Pictures, based in New York and Toronto, on a mission to decolonize Hollywood. His credits include award winners at Sundance (Framing Agnes), Red Sea (In Flames), Iris Prize (Scaring Women at Night), Durban (Runs in the Family), premieres at Cannes, Toronto, Canneseries (Streams Flow From A River), Aspen (I Live Here), Palm Springs (Diaspora), Hot Docs, Black Star (Noor and Layla), Bentonville, and BFI London, and nominees for the Canadian Screen Awards (Queen Tut). He was also an executive producer on Nisha Pahuja’s Academy Award ® nominated film To Kill A Tiger, an impact producer on John Greyson’s TEDDY Award-winning film International Dawn Chorus Day, and an associate producer on Ingrid Veninger’s Canadian Screen Award-nominated film Porcupine Lake.

    Shant currently sits on CMPA’s Restructuring, Equity, Diversity, and Inclusion Action Committee, and previously was Co-Chair of the BIPOC TV & Film Board, and co-founder of the Future of Film Showcase.

    He is an alum of the Canadian Film Centre, Rotterdam Lab, and Osgoode Hall Law School, and was named a MIPTV Producer to Watch, Reelworld Trailblazer, nominated for an Indiescreen Award, and to York University’s Top 30 Changemakers under 30.

  • Sherien Barsoum

    Sherien Barsoum

    Sherien Barsoum is a producer with the National Film Board of Canada. As an independent filmmaker she directed and produced CynaraRide for Promise and Player Zero, winning the Hot Docs Short Film Pitch and Best Canadian Documentary at NorthWest Fest. She was the producer of Dreams in Vantablack and Babe, I Hate To Go, which played top festivals internationally and was nominated for a Canadian Screen Award. Sherien was also the story consultant on the Oscar-shortlisted Frame 394 and co-produced House of Z, the first feature bought and distributed by Condé Nast, now on Netflix. Sherien is a founding member of the Racial Equity Media Collective, which uses research to advocate on behalf of racialized creators in Canada. She is also the former Director of Programming for the Reelworld Film Festival and served as a board member of the Documentary Organization of Canada.

  • Sholeh Alemi Fabbri

    Sholeh Alemi Fabbri

    Sholeh Alemi Fabbri has been producing award-winning content for two decades and has received three Canadian Screen Award nominations. For seven years as the Executive Producer of Entertainment Tonight Canada, Sholeh built the ET Canada brand for broadcast and online. Her award-winning special Canada Together: In Concert showcased superstars including Shania Twain, Lady A, and Christopher Plummer raising over $300,000 for Food Banks Canada and music industry personnel impacted by the Covid-19 shutdowns. Working with HitPlay Productions on Last of the Right Whales about the critically endangered North Atlantic right whale, marks Sholeh’s return to documentary storytelling. She is currently developing Eclipse, a feature film with co-producer Heather Haldane (Maudie) as well as other projects on her growing slate. Sholeh sits on two boards including Story Money Impact, a charity which connects mediamakers to changemakers and Artists for Peace and Justice (Canada), a non-profit organization that supports access to education for impoverished youth in Haiti. Being able to transform inspiration into impact is incredibly rewarding and why Sholeh launched Good Measure Productions.

  • Shonna Foster

    Shonna Foster

    Shonna Foster is a highly visual director whose work truthfully centers story and character. She is passionately invested in telling stories that prioritize, investigate, and celebrate Black and POC experiences, and which explore universal themes through relatable characters with strong points of view. 

    A graduate from York University’s Creative Ensemble Theatre Conservatory (BFA Honors), Shonna is described as an ‘actor’s director’ who is all-in, highly committed and collaborative in her approach to the work. She is known for her ability to direct raw talent in scenes with high emotional stakes, and has a strong ability to create compelling imagery through her work in scripted narrative, documentary and branded content. In addition, her passion combined with her reputation for working closely with writers elevates her tenacity for discovering and leaning into compelling stories that lift off the page.

    Shonna made her directorial debut with the short film Residue which debuted at the Reelworld Film Festival, and was also licensed for national television broadcast and streaming through CBC’s Gem. Residue was featured on Breakfast Television, CBC Arts, CHCH TV, TO Indie and Black on Both Sides. Her second film Mothers: Out of A Pandemic, a documentary short Executive Produced by Jennifer Podemski and Lauren Grant is currently in the 2023/2024 festival circuit and won the “Best Long Form Short Documentary Film” at the Toronto Documentary Feature & Short Film Festival. Shonna has also directed impactful branded content, including the Gold Series x Pantene campaign which won MLS and Procter & Gamble the Grocer Impact Award.

    As a director, Shonna has successfully completed one-on-one mentorships and director observer-shadowing positions with some of the industry’s leading directors and producers in Canada and the US on various television and film productions.  Her impressive resume highlights almost two decade of key positions and executive positions she has held at award-winning production companies, distribution companies and deeply rooted organizations in Canada’s film and television industry. Shonna has worked on productions for Paramount Pictures/Elevation Pictures, Sony Pictures/Lifetime, Warner/OWN, CBC, Reel One Entertainment, Pier 21 Films, and Bell Media. As a highly regarded team member and sought after asset, Shonna’s all encompassing employment experiences have made her a director who comes with a thorough understanding of the production process and pipeline.  A producer’s dream! 

    Shonna credits her parents’ and Grandparents love of film, television, and music for planting the seed in her developing an understanding of storytelling and deep appreciation and passion for the art of the moving image from a very young age. Whether she was engaged in an extracurricular creative activity or working on set as a child actor, Shonna would watch performers, directors, and crew work at their craft with both intrigue and fascination. She knew from a young age that the world of film and television was where she felt most at home.

    Shonna deeply loves the process of creating and feels equally at home in rehearsal, on set, in a writers room, and in an editing suite. She hopes to leave this world with a body of work that is impactful, motivating, transcends time, elevates the Black community and shifts the world just a little bit. She believes this is best achieved through fostering truthful and meaningful connections with other human beings globally and through the process of collaborating on important works of art – one episode, film, and commercial at a time.

  • Soudade Kaadan

    Soudade Kaadan

    Soudade Kaadan is an award winning Syrian director born in France and raised in Damascus. She gained international recognition with her debut feature film, “The Day I Lost My Shadow,” which premiered at the Venice Film Festival in 2018 and won the esteemed Lion of the Future Award for Best Debut Film. Her next short fiction film Aziza won the Sundance grand jury prize in 2019. And her second feature film Nezouh won the audience award at the Venice Festival in 2022, making her the only Arab female director to win twice in Venice.

  • Suzannah Mirghani

    Suzannah Mirghani

    Suzannah Mirghani is a writer, researcher, and media studies/museum studies graduate. Sudanese-Russian, she is interested in stories about the complexity of identity. Suzannah is the writer, director, and producer of AL-SIT (2020, Sudan/Qatar), screening on Netflix Middle East, and winner of the Canal+ Award at Clermont-Ferrand Short Film Festival in 2021 as well as 6 Academy Award qualifying prizes at Tampere Film Festival; LA Shorts; BronzeLens; New Orleans Film Festival; AFI Fest; and Interfilm Berlin. Her latest short is the experimental documentary/social media satire VIRTUAL VOICE (2021), which premiered at Tribeca Film Festival. Suzannah is working on her first feature COTTON QUEEN, which won the ArteKino Award at L’Atelier de la Cinefondation at the Cannes Film Festival in 2022.

  • Tamara Mariam Dawit

    Tamara Mariam Dawit

    Tamara Mariam Dawit is an Ethiopian-Canadian award-winning filmmaker and arts industry executive. She has experience producing arts content and campaigns for organizations, including Save the Children, Girl Effect, Keep a Child Alive, and Make Poverty History. She has a long history of managing training labs and export missions and has advised on programs and policies to support the screen sector for DW Akademie, UNESCO, Afreximbank, EUNIC, Canada Media Fund and the Ethiopian government. 

    Tamara is an alumnus of the Berlinale and Durban Talents and has been awarded fellowships by Docs in Progress, Logan Nonfiction and TIFF. Her film Finding Sally won the Doc Institute Vanguard Award, Adiaha Award and the Gordon Parks Award, among others. Tamara, a 2023 Chalmer Arts Fellow, is producing a slate of Ethiopian films.

  • Teyama Alkamli

    Teyama Alkamli

    Teyama Alkamli is an award-winning Syrian-Canadian writer, director,  and producer living in Toronto. She is an alumna of DocNomads,  the European Mobile Film School, Hot Docs Emerging Filmmaker Lab,  the Canadian Film Centre’s Director Lab, and a current TIFF Talent  Accelerator participant.

    Teyama’s film, Hockey Mom, was awarded Best Documentary Program at the 2021  Canadian Screen Awards. Her other works have screened at international  film festival such as Doc Lisboa, TIFF, and the Berlinale. She is currently developing her narrative feature debut, My Name is Jala.

  • Timaj Garad

    Timaj Garad

    Timaj Garad is an Ethiopian-Harari Toronto-based multidisciplinary storyteller (poet, actress, singer-songwriter), arts educator, and community organizer. She works at Toronto Arts Council, where I develop and manage the Black Arts program for Black artists and Black-led organizations. She creates music with genre-bending mix of spoken word poetry, hip-hop, and R&B, soul, afro-jazz, and dance. In 2017, she founded LUMINOUS Fest, Canada’s first Black Muslim arts festival, and later co-founded The Sisters’ Retreat, a retreat series hosting arts-based wellness retreats for Muslim Women.

  • Toleen Touq

    Toleen Touq

    Toleen Touq is a curator, cultural producer and facilitator working between Toronto, Canada and Amman, Jordan. In Amman, she is co-founding director of Spring Sessions (2014-ongoing), a yearly residency program that brings together artists, researchers and cultural practitioners in a collaborative and experiential learning environment that is fueled by responsiveness to place and deep curiosity. She co-initiated and co-curated The River Has Two Banks (2012-2017), a multi-disciplinary artistic platform that addressed the historical, political and spatial relations between Jordan and Palestine. In Toronto, she is artistic director of SAVAC, a nomadic artist-run center dedicated to presenting and developing the work of marginalized artists on Turtle Island. In 2022, together with Liz Ikiriko, she initiated Ways of Attuning, a curatorial study group centered around nurturing generosity, collaboration, and imaginative thinking in curatorial practice. Her writings have been published with Sternberg Press, Ibraaz, A Prior, Manifesta Journal and others.

  • Viviane Saglier

    Viviane Saglier

    Viviane Saglier is a UTSC postdoctoral fellow in the Department of English at the University of Toronto. Prior to that, she was an Andrew W. Mellon postdoctoral fellow in the Anthropology Department at McGill University. She received her PhD in Film and Moving Image Studies from Concordia University. She is currently working on two projects: a first book on Palestinian film infrastructures, and a second book on histories of Arab cinema, gender, and decolonization. Her writings on Arab cinema, postcolonial theory, media economies, and transnational solidarity have appeared in several peer-reviewed journals and edited collections. Outside of the university, she curates collective programs of Arab cinema and political documentaries as well as video art exhibitions. 

    She started the Works-in-Progress (WIP) series and co-led the Political Imaginaries of Waiting working group.