Amir Al-Azraki

Amir Al-Azraki is an Arab-Canadian playwright, literary translator, Theatre of the Oppressed practitioner, Assistant Professor and Coordinator of Studies in Islamic and Arab Cultures Program, at Renison University College, University of Waterloo. Among his plays are: Waiting for Gilgamesh: Scenes from Iraq, The Mug, and The Widow. Al-Azraki is the author of The Discourse of War in Contemporary Theatre (in Arabic), co-editor and co-translator of Contemporary Plays from Iraq, “A Rehearsal for Revolution”: An Approach to Theatre of the Oppressed (in Arabic), and co-editor and co-translator of Arabic poetry by female poets in Consequence, The Common, Poetry Foundation and Talking Writing. He is currently translating Representations of the Other: The Image of Black People in the Medieval Arab Imaginary by a Bahraini critic Nader Kadhim.